Provenienz
1Von Stülpnagel Potsdam Sammlung Emil G. Bührle, (exh. cat.) Kunsthaus Zurich 1958, no. 49.
2Julius Böhler Munich • by 1913 & by 1934 Fritz Burger, Die deutsche Malerei vom ausgehenden Mittelalter bis zum Ende der Renaissance, vol. 1, Berlin/Neubabelsberg 1913, p. 202, fig. 231; Otto Pächt, Österreichische Tafelmalerei der Gotik, Augsburg 1929, p. 69; Alfred Stange, Deutsche Malerei der Gotik, vol. 1, Die Zeit von 1250 bis 1350, Berlin 1934, pp. 157–158, fig. 152.
3Hans Oskar Marcuse Endorf • Upper Bavaria AStEGB, Letter from Hans Oskar Marcuse, Endorf, Upper Bavaria, to Emil Bührle, 8 June 1955, accompanying an expertise (now lost) by Professor Dr. Erich Wiese, Hessisches Landesmuseum, Darmstadt, which had been commissioned by Marcuse, when he had the panel.
4Dr. Peter Nathan New York Dr. Fritz Nathan Zurich • 1954 AStEGB, Payment order from Emil Bührle to Industrie- und Handelsbank, Zurich, 4 May 1954, for the sum of $ 92.500 for four paintings being purchased from Dr. Peter Nathan, New York, through Dr. Fritz Nathan, Zurich. Attached to this payment order is a typed list, initialed by Emil Bührle and indicating payment through Industrie- und Handelsbank, Zurich, on 4 May 1954 for the four paintings, including the present painting, and Dufy Arcades à Vallauris (Emil Bührle Collection Inv. 41).
5Emil Bührle Zurich • 4 May 1954 until [d.] 28 November 1956 Acquired from Dr. Peter Nathan, New York, and Dr. Fritz Nathan, Zurich, for $ 45.000, AStEGB, Confirmation of execution of payment from Industrie- und Handelsbank, Zurich, 4 May 1954.
6Given by the heirs of Emil Bührle to the Foundation E.G. Bührle Collection Zurich • 1960 Inv. 148.
AStEGB = Archive of the Foundation
E.G. Bührle Collection, Zurich