Provenance
1Bernheim-Jeune Paris Sammlung Richard Bühler, Winterthur, Französische Impressionisten, Moderne Schweizer Meister, Zeichnungen, Graphik, Plastik, (sale cat.) Galerie Fischer, Lucerne (2 September 1935), no. 14 (ill.).
2Richard Bühler Winterthur • before 1918 (?) until 1944 (?) Sale cat. as above, n. (1); the lot remained unsold, AStEGB, Information given by Galerie Fischer, Lucerne, to Foundation E.G. Bührle Collection, 1 April 2008; Richard Bühler was among the group of pioneering collectors of French Modern Art in Winterthur, and an active buyer especially before and during World War I, Matthias Frehner, «Eine ‹grosse Sammlerleistung›1: Die Sammlung Richard Bühler, in Modernité, Renoir, Bonnard, Vallotton, Der Sammler Richard Bühler, (exh. cat.) Kunst Museum Winterthur 2020–21, pp. 67, 75 (no. 67). According to the gallery’s «Commission Book 1924.1938, May», fol. 304, 405 the painting was picked up by Bühler, along with the other unsold items from the Bühler sale, on 26 November 1935, E-Mail-Message from Archive Galerie Fischer, Lucerne to Foundation E.G. Bührle Collection, Zurich, 2 March 2025.
3Dr. Fritz Nathan St. Gall • by 1944 AStEGB, Inventory Card Bonnard, Intérieur.
4Emil Bührle Zurich • 15 June 1944 until [d.] 28 November 1956 Acquired from the above for CHF 8.000, Inventory Card as above, n. (3); AStEGB, Record concerning a visit of Dr. Fritz Nathan, accompanied by Mme Bondanini [Athénée, Geneva], at Werkzeugmaschinenfabrik Oerlikon Bührle & Co., 15 June 1944, with handwritten annotation by Bührle, referring to the purchase of two paintings by Bonnard, the other one being La Fruitière [Dauberville no. 164].
5Given by the heirs of Emil Bührle to the Foundation E.G. Bührle Collection Zurich • 1960 Inv. 5.
AStEGB = Archive of the Foundation
E.G. Bührle Collection, Zurich