Factories near the Mont de Cengle · Paul Cézanne · Stiftung Sammlung E.G. Bührle

Paul Cézanne

Factories near the Mont de Cengle

1867/69

Usines près du Mont de Cengle

Oil on canvas

41 x 55 cm

Rewald 132

Vergrössern

Drucken

Provenance

1Ambroise Vollard Paris Rewald no. 132.

2Cornelis Hoogendijk Amsterdam • until [d.] 1911 Herbert Henkels, «Cézanne en Van Gogh in het Rijksmuseum voor Moderne Kunst in Amsterdam: de collectie van Cornelis Hoogendijk (1866–1911)», in Bulletin van het Rijksmuseum (41) 1993, nn. 3–4, fig 160.

3The Estate of Cornelis Hoogendijk 1911–1920 Collection Hoogendijk, Tableaux modernes, aquarelles, dessins, pastels, (sale cat.) Frederik Muller, Amsterdam (21–22 May 1912), no. 7.

4Auguste Pellerin Paris • after 1920 until [d.] 1929 Most of the paintings by Cézanne in the Hoogendijk sale of 1912 remained unsold, since they were at that time the object of a litigation and therefore withheld from the sale. When the litigation was solved in 1920, these paintings were acquired by a syndicate of Paris dealers, including Paul Rosenberg and Joseph Hessel, who subsequently sold them, John Rewald, Cézanne and America, Princeton (NJ) 1989, p. 269.

5Jean-Victor Pellerin Paris Son of the above, Rewald no. 132.

6Paul Rosenberg Paris & New York • by 1939 Exposition Cézanne (1839–1906), organisée à l’occasion de son centenaire, Galerie Paul Rosenberg, Paris 1939, no. 2.

7Charles Carstairs London • 1939 Getty Research Institute, Santa Monica (California) Knoedler Gallery Archive, Stock Book 8, p. 199, no. 2198.

8M. Knoedler & Co., Inc. New York • 1939–1940 Acquired from the above in December 1939 for $ 8.300, Knoedler’s share being one half, Stock Book as above, n. (7).

9Sam Salz & Erich Maria Remarque New York • 1940–1946 Acquired from the above in August 1940 for $ 20.000, Stock Book as above n. (7), adding the name of Remarque, in pencil, to the name of Salz, in ink; Remarques Impressionists, Art Collecting and Art Dealing in Exile, Thomas F. Schneider, Inge Jaehner (ed.), Göttingen & Bristol 2013, no. 54.

10M. Knoedler & Co., Inc. New York • 1946 Getty Research Institute, Santa Monica (California) Knoedler Gallery Archive, Stock Book 9, p. 137, no. 3559.

11William F. C. Ewing New York • 1946 Stock Book as above, no. (8).

12M. Knoedler & Co., Inc. New York • 1946–1953 Stock Book as above, no. (8).

13Dr. Walter Feilchenfeldt Zurich • 1953 Acquired from the above, Information given by Mr. Walter Feilchenfeldt, Zurich, son of Dr. Walter Feilchenfeldt, to Foundation E.G. Bührle Collection, Zurich, on 11 January 2016; Getty Research Institute, Santa Monica (California), Knoedler Gallery Archive, Stock Book 10, p. 32, no. 3559, sold on 6 April 1953 for $ 13.000.

14Emil Bührle Zurich • 29 May 1953 until [d.] 28 November 1956 Acquired from the above, along with an oil sketch by Rubens (Emil Bührle Collection, Inv. 160), on 29 May 1953, AStEGB, Entry Book II, 22 May 1953; AStEGB, Handwritten note from Emil Bührle to Dr. O. Maurer [Secretary General of Oerlikon Bührle & Co.], n.d., announcing that Dr. Feilchenfeldt will soon come to collect CHF 200.000 for the landscape by Cézanne and the Rubens sketch, of which CHF 30.000 are to be transferred to an account with Schweizerische Kreditanstalt, and CHF 170.000 to be handed over in cash («discret»); AStEGB, Letter from Dr. O. Maurer to Industrie- und Handelsbank, Zurich, 29 May 1953, ordering payment of CHF 30.000 to Dr. Feilchenfeldt.

15The Estate of Emil Bührle Zurich • 1956–1967 The artworks that were not given to the Foundation E.G. Bührle Collection in 1960 were divided among Emil Bührles’s son, Dr. Dieter Bührle, and his daughter, Hortense Anda-Bührle in 1967.

16Dr. Dieter Bührle Zurich • 1967 until [d.] 2012 Son of Emil Bührle and, in 1960, along with his mother Charlotte Bührle-Schalk and his sister Hortense (Anda-)Bührle one of the three founders of the Foundation E.G. Bührle Collection, where he served on the Board from 1960 to 2012.

17Bequest of Dr. Dieter Bührle to Foundation E.G. Bührle Collection 2012 Inv. 175.

AStEGB = Archive of the Foundation E.G. Bührle Collection, Zurich

Exhibitions

1939Exposition Cézanne (1839–1906), organisée à l’occasion de son centenaire Galerie Paul Rosenberg • Paris • 1939 no. 2.

1939Cézanne Rosenberg & Helft • London • 1939 no. 2.

1941Aspects of French Paintings from Cézanne to Picasso County Museum of Art • Los Angeles • 1941 no. 8.

1949Monet and the Beginnings of Impressionism Currier Gallery of Art • Manchester (NH) • 1949 no. 25.

1956Paul Cézanne 1839–1906 Kunsthaus Zurich • 1956 no. 7.

1956Paul Cézanne 1839–1906 Gemeentemuseum • The Hague • 1956 no. 4.

1956Exposition pour commémorer le cinquantenaire de la mort de Cézanne Pavillon de Vendôme • Aix-en-Provence • 1956 no. 2.

1956Cézanne, Ausstellung zum Gedenken an sein 50. Todesjahr Wallraf-Richartz-Museum (Kunsthaus Lempertz) • Cologne • 1956–57 no. 4.

1958Sammlung Emil G. Bührle, Festschrift zu Ehren von Emil G. Bührle zur Eröffnung des Kunsthaus-Neubaus und Katalog der Sammlung Emil G. Bührle Kunsthaus Zurich • 1958 no. 191

1958Französische Malerei von Manet bis Matisse aus der Sammlung Emil G. Bührle/Zürich Nationalgalerie der ehemals Staatlichen Museen, Schloss Charlottenburg • Berlin • 1958 no. 18.

1958Hauptwerke der Sammlung Emil Georg Bührle–Zürich Haus der Kunst • Munich • 1958–59 no. 121.

1988Cézanne, The Early Years 1859–1872 (Cézanne, Les années de jeunesse 1859–1872) Royal Academy of Arts, London • Musée d’Orsay, Paris • National Gallery of Art, Washington, D.C. • 1988–89 no. 48 (exhibited in London and Paris only).

1994Origins of Impressionism (Impressionnisme, Les origines) Musée d’Orsay, Paris • Metropolitan Museum of Art, New York • 1994–95 no. 29 (exhibited in Paris only).

2000La nascita dell’Impressionismo Casa dei Carraresi • Treviso • 2000–01 no. 123.

2003L’oro e l’azzurro, I colori del Sud da Cézanne a Bonnard Casa dei Carraresi • Treviso • 2003–04 no. 8.

2006Turner e gli impressionisti, La grande storia del paesaggio moderno in Europa Museo di Santa Giulia • Brescia • 2006–07 no. 130.

2010Mediterraneo, Da Courbet a Monet a Matisse Palazzo Ducale • Genoa • 2010–11 no. 22.

2017Paul Cézanne, Le Chant de la terre Fondation Pierre Gianadda • Martigny • 2017 no. 14.

2017Gefeiert & verspottet, Französische Malerei 1820–1880 Kunsthaus Zurich • 2017–18 no. 12.

References

1923Georges Rivière Le maître Paul Cézanne Paris • 1923 • p. 198.

1935Lionello Venturi «L’Impressionismo» in Arte (March) • 1935 • fig. 13.

1936Elie Faure Cézanne Paris • 1936 • fig. 4.

1936Maurice Raynal Cézanne Paris • 1936 • fig. 36.

1936Lionello Venturi Cézanne, Son art, son œuvre Paris • 1936 • vol. 1, Texte, no. 58, vol. 2, Planches, fig. 13, bottom.

1939John Rewald Cézanne, Sa vie, son œuvre, son amitié pour Zola Paris • 1939 • fig. 27 (English edition: Cézanne, A Biography, New York 1948, fig. 33).

1939John Rewald «Paul Cézanne: New documents for the years 1870–71» in Burlington Magazine (74) • 1939 • figg. 1, A.

1970Alfonso Gatto • Sandra Orienti L’opera completa di Cézanne Milan • 1970 • no. 114 (ill.; ²1979; English edition: Ian Dunlop, Sandra Orienti, The Complete Paintings of Cézanne, Middlesex & New York 1970; ²1972; ³1985 • German edition: Oskar Bätschmann, Sandra Orienti, Das Gesamtwerk von Cézanne, Lucerne etc. 1970 • Spanish edition: La obra pictórica completa de Cézanne, Barcelona 1970; ²1977 • French edition: Sandra Orienti, Gaëtan Picon, Tout l’œuvre peint de Cézanne, Paris 1975; ²1995).

1986John Rewald Cézanne, A Biography New York • 1986 • p. 66 (ill.; German edition: Cézanne, Biographie, Cologne 1986).

1993Herbert Henkels «Cézanne en Van Gogh in het Rijksmuseum voor Moderne Kunst in Amsterdam: De collectie van Cornelis Hoogendijk (1866-1911)» in Bulletin van het Rijksmuseum (41) • 1993 • fig. 160.

1996John Rewald The Paintings of Paul Cézanne, A Catalogue Raisonné London & New York • 1996 • vol. 1, no. 132; vol. 2, p. 45 (ill. top).

2001Inken Freudenberg Der Zweifler Cézanne Heidelberg • 2001 • fig. 45.

2003Nina M. Athanassoglou-Kallmyer Cézanne and Provence, The Painter in His Culture Chicago & London • 2003 • p. 153, fig. 4.4.

2008Maïthé Vallès-Bled Vlaminck, Catalogue critique des peintures et céramique de la période fauve Paris • 2008 • p. 81 (ill. below; entry for no. 16, La Papeterie, Nanterre, Foundation E.G. Bührle Collection, inv. 112).

2009Hans Janssen «’Wanneer men het inner lijke beeldt…!› Mondriaan en de invloed van Picasso en Cézanne op zijn werk» in Cézanne, Picasso, Mondriaan in nieuw perspectief (exh. cat.) • Gemeentemuseum The Hague • 2009–10 • pp. 57–81, fig. 26.

2013Thomas F. Schneider, Inge Jaehner (ed.) Remarque’s Impressionists, Art Collecting and Art Dealing in Exile • Remarques Impressionisten, Kunstsammeln und Kunsthandel im Exil Göttingen & Bristol • 2013 • no. 54 (ill.).

2021Lukas Gloor «The Holdings of the Emil Bührle Collection: Illustrated List of All 633 Purchases» in The Emil Bührle Collection: History, Full Catalogue and 70 Masterpieces Swiss Institute for Art Research, Zurich (ed.) • Munich • 2021 • no. 287 (ill.).