Provenance
1Private collection Paris Daix no. V.49.
2Private collection New York Daix no. V.49.
3Carstairs Gallery New York • by 1951 until 1953 Archive Kunstmuseum Bern, Inventory Book Loans (B-001-005), Record of a deposit by Max Kaganovitch of Picasso’s Devant l’église at the Kunstmuseum Bern on 21st July 1951, the paintig being registered twice as no. 1327 and no. 1388. Identified as the (co-)owner is Carstairs Gallery, New York, then managed by Georges Keller who had close ties to the Kunstmuseum Bern. The date of the painting’s removal is indicated as 25 November 1953, an additional note states that it was custom cleared for Mr. Bührle, and the price is given as CHF 10.000.
4Max Kaganovitch Paris • by 1951 until 1953 Inventory Book as above, n. (3); Œuvres choisies du XXe siècle, (exh. cat.) Galerie Max Kaganovitch, Paris 1951, no. 34; AStEGB, Entry Book II, 15 November 1953.
5Emil Bührle Zurich • 27 November 1953 until [d.] 28 November 1956 Acquired from the above, Inventory Book as above, n. (3) and Entry Book as above, n. (4); Letter from Prof. Max Huggler [Director of the Kunstmuseum], Bern, to Dr. O. Maurer [Secretary General of Oerlikon Bührle & Co.], Zurich, 27 November 1953, confirming import of four paintings, including Picasso, Devant l’église, and billing import and custom duties, with handwritten note by Emil Bührle: to be paid by or to be settled with Kaganovitch.
6Given by the heirs of Emil Bührle to the Foundation E.G. Bührle Collection Zurich • 1960 Inv. 80 .
AStEGB = Archive of the Foundation
E.G. Bührle Collection, Zurich