Provenance
1Sergei Shchukin Moscow • until 1900 Sale Hôtel Drouot, Paris (24 March 1900), no. 23, Salomon/Cogeval no. III-50.
2Bernheim Jeune Paris • by 1905 Inventory no. 10469, Salomon/Cogeval no. III-50.
3Edouard Vuillard Paris • 1905 Acquired from the above on 3 May 1905 for FF 472.50, Salomon/Cogeval no. III-50.
4Prince Antoine Bibesco Paris • [d.] 1951 Salomon/Cogeval no. III-50.
5Mrs. Priscilla Hodgson, née Countess Bibesco London & Paris Daughter of the above, AStEGB, Reply from Marlborough Fine Art Ltd., London, to an enquiry by Dr. Walter Drack [curator of the Bührle collection], 28 May 1955, regarding provenance of seven paintings acquired by Emil Bührle, including Vuillard, Le Numéro d’illusionniste.
6Marlborough Fine Art Ltd. London • by 1955 AStEGB, Invoice from Trafo, Anstalt für Handel und Finanz, Vaduz [Marlborough Fine Art Ltd., London], made out to Emil Bührle, 31 January 1955, for two paintings, including Vuillard, Le Numéro d’illusionniste.
7Emil Bührle Zurich • 3 February 1955 until [d.] 28 November 1956 Acquired from the above, along with the painting Homme au violon by Georges Braque (Emil Bührle Collection, Inv. 9), for a total amount of CHF 189.000, Invoice as above, n. (6), and AStEGB, Letter from Industrie- und Handelsbank, Zurich, to Emil Bührle, 3 February 1955, confirming transfer of the above amount.
8Given by the heirs of Emil Bührle to the Foundation E.G. Bührle Collection Zurich • 1960 Inv. 113.
AStEGB = Archive of the Foundation
E.G. Bührle Collection, Zurich