References
1902Théodore Duret Histoire d’Edouard Manet et de son œuvre, Avec un catalogue des peintures et des pastels Paris • 1902 • no. 215 (21909, 31919, 41926; German edition: Edouard Manet, Sein Leben und seine Kunst, Berlin 1910 • English edition: Manet and the French Impressionists, London & Philadelphia 1910; 22009).
1912Julius Meier-Graefe Edouard Manet Munich • 1912 • fig. 153.
1924Gino Severini Manet Rome • 1924 • fig. 32.
1931Adolphe Tabarant Manet, Histoire catalographique Paris • 1931 • no. 353.
1932Paul Jamot • Georges Wildenstein Manet Paris • 1932 • vol. 1, no. 271; vol. 2, fig. 332.
1932Paul Colin Edouard Manet Paris • 1932 • fig. 91.
1935István Genthon «Báró Hatvany Ferenc modern képgűjteménye [Baron Ferenc Hatvany’s Collection of Modern Pictures]» in Magyar Művészet (11) • 1935 • pp. 14 (ill.), 23.
1938Robert Rey Manet Paris • 1938 • fig. 109.
1941Gotthard Jedlicka Edouard Manet Erlenbach/Zurich • 1941 • pp. 192, 194 (ill.).
1947Michel Florisoone Manet Monaco • 1947 • p. 69 (ill.).
1947Benno Reifenberg Manet Berne • 1947 • fig. 30.
1947Adolphe Tabarant Manet et ses œuvres Paris • 1947 • pp. 411–412, fig. 379.
1948Maurice Bex Manet Paris • 1948 • p. 27, fig. 103.
1953Germain Bazin L’époque impressionniste Paris • 1953 • p. 56 (ill.).
1953Doris Wild «Private Kunstsammlungen in der Schweiz, Die Sammlung Emil Bührle in Zürich» in Das Kunstwerk (7), no. 6 • 1953 • p. 27.
1955Georges Bataille Manet Lausanne • 1955 • pp. 55–56 (2Geneva 1988, pp. 6, 50, 104).
1959Raymond Cogniat Le siècle des impressionnistes Paris • 1959 (German edition: Das Jahrhundert der Impressionisten, Milan 1959, p. 79 [ill.] • English edition: The Century of the Impressionists, London & New York 1960; 2New York 1967; 31978).
1962Pierre Courthion Ed. Manet Cologne • 1962 • p. 32, fig. 42.
1963René Wehrli «Emil G. Bührle, Zurich, French Nineteenth-Century Paintings» in Great Private Collections Douglas Cooper (ed.) • New York • 1963 • p. 219.
1966Eugène Gerlőtei «L’ancienne collection François de Hatvany» in Gazette des Beaux-Arts (May/June) • 1966 • pp. 362, 364, 369, 371, fig. 10.
1967Sandra Orienti • Marcello Venturi L’opera pittorica di Edouard Manet Milan • 1967 • no. 344 (ill.; English edition: Sandra Orienti, Phoebe Pool, The Complete Paintings of Manet, New York 1967 • German edition: Das gemalte Werk von Edouard Manet, Lucerne etc. 1967 • French edition: Denis Rouart, Sandra Orienti, Tout l’oeuvre peint d’Edouard Manet, Paris 1970, no. 348 [illl.]).
1972Dr. Fritz Nathan und Dr. Peter Nathan, 1922–1972 Zurich • 1972 • no. 64 (ill.).
1973Leopold Reidemeister etc. Stiftung Sammlung Emil G. Bührle • Fondation Collection Emil G. Bührle • Foundation Emil G. Bührle Collection Zurich & Munich • 1973 • no. 33 (ill.; 21986).
1975Denis Rouart • Daniel Wildenstein Edouard Manet, Catalogue raisonné Lausanne & Paris • 1975 • vol. 1, Peintures, no. 258 (ill.).
1975George Mauner Manet, Peintre-Philosophe, A Study of the Painter’s Themes University Park (Pennsylvania) & London • 1975 • pp. 111, 142–143, fig. 87.
1978Sophie Monneret L’Impressionnisme et son époque, Dictionnaire international illustré vol. 1 • Paris • 1978 • p. 100.
1982Theodore Reff «Manet and the Paris of Haussmann and Baudelaire» in Manet and Modern Paris Chicago & London • 1982 • p. 27, fig. 14.
1987Alena Marchwinski «The Romantic Suicide and the Artists» in Gazette des Beaux-Arts (109) • 1987 • pp. 73–74, fig. 5.
1991Eric Darragon Manet Paris • 1991 • p.319, fig. 225.
1994Emil Maurer Stiftung Sammlung E.G. Bührle, Zürich Bern • 1994 • pp. 41–42 (ill.; English edition: Foundation E.G. Bührle Collection, Zurich, Bern 1995).
1997Oskar Bätschmann Ausstellungskünstler, Kult und Karriere im modernen Kunstsystem Cologne • 1997 • p. 104, fig. 66.
1998László Mravik The «Sacco di Budapest» and Depredation of Hungary 1938–1949 Works of Art Missing from Hungary as a Result of the Second World War […], Preliminary and Provisional Catalogue • Budapest • 1998 • no. 16854.
2002Ulrike Ilg «Painted Theory of Art: Le suicidé (1877) by Édouard Manet and the Disappearance of Narration» in Artibus et Historiae, An Art Anthology (45) • 2002 • pp. 179–190, fig. 1.
2003László Mravik «Báró Hatvany Ferenc műgyűjteményének története (The History of Baron Ferenc Hatvany’s Art Collection» in László Horváth (ed.) Hatvanyak emlékezete [The Memory of the Hatvanys] Hatvan • 2003 • p. 158 (n. 49)–159 (ill.), 241, 243, 267 (ill. the picture hanging at the wall in the drawing room of the Hatvany residence, ca. 1930).
2005Lukas Gloor • Marco Goldin (ed.) Foundation E.G. Bührle Collection, Zurich, Catalogue vol. 2 • Conegliano & Zurich • 2005 • no. 74 (ill.; German edition: Stiftung Sammlung E.G. Bührle, Katalog; Italian edition: Fondazione Collezione E.G. Bührle, Catalogo).
2005Theodore Reff Manet’s Incident in a Bullfight New York • 2005 • p. 34, fig. 37.
2006Thierry Savatier L’Origine du monde Paris • 2006 • p. 145.
2006Anja Heuss «Verstreut nach Ost und West, Die drei Geschichten der Hatvany-Sammlung» in Osteuropa (56) • 2006 • pp. 89 (ill.), 95.
2011James H. Rubin Manet Initial M, Hand and Eye Paris • 2011 • pp. 356–356, no. 168 (ill.; French edition: Manet, Initiale M, L’œil, une main).
2012Ingebørg Ydstie «Akten som felt for ny symboldannelse, Den tapte 1886-versjonen av Munchs motiv for Pubertet / The Nude as Arena for a New Symbolism, The Lost 1886 Version of Munch’s Puberty» in Edvard Munch Pubertet / Puberty (exh. cat.) • Munch Museum • Oslo • 2012 • pp. 27–28, fig. 19.
2013Bernhard Echte • Walter Feilchenfeldt (ed.) Kunstsalon Paul Cassirer vol. 4, Die Ausstellungen 1908–1910 • Wädenswil • 2013 • pp. 418–419 (ill.), 439.
2016Bruno Chenique «Géricault, Manet, ou le syndrome de Chatterton» in Alfred de Vigny et le romantisme Isabelle Haubout (ed.) • Paris • 2016 • pp. 175–198.
2018Péter Molnos Lost Heritage, Hungarian Art Collectors in the Twentieth Century Budapest • 2018 • pp. 375–376 (ill.), 445 (ill.).
2021Lukas Gloor «The Holdings of the Emil Bührle Collection: Illustrated List of All 633 Purchases» in The Emil Bührle Collection: History, Full Catalogue and 70 Masterpieces Swiss Institute for Art Research, Zurich (ed.) • Munich • 2021 • no. 168 (ill.).