Literatur
1956John Rewald Post-Impressionism, From Van Gogh to Gauguin New York • 1956 • pp. 90, 93 (ill.; 2London 1978, p. 84 [ill.], & various translations and editions).
1966Annamaria Mura I Maestri del colore, Signac Milan • 1966 • fig. 2–3.
1967Alberto Martini • Renata Negri Cézanne e il post-impressionismo Milan • 1967 • fig. 20 (German edition: Cézanne und der Nachimpressionismus, Milan 1968).
1967Alberto Martini • Renata Negri «Seurat e il Divisionismo» in L’Arte Moderna (5) • 1967 • pp. 183 (ill.)–184.
1970Jean Sutter Les Néo-impressionnistes Lausanne & Neuchâtel • 1970 • p. 48 (German edition: Die Neo-Impressionisten).
1971Françoise Cachin Paul Signac Paris & Milan • 1971 • p. 22, fig. 13 (English edition: New York & Greenwich [Connecticut] 1971).
1973Leopold Reidemeister etc. Stiftung Sammlung Emil G. Bührle • Fondation Collection Emil G. Bührle • Foundation Emil G. Bührle Collection Zurich & Munich • 1973 • no.92 (ill.; 21986).
1978Yasuko Watanabe • Takeshi Kashiwa Signac Tokyo • 1978 • no. 4 (ill.).
1979Sophie Monneret L’Impressionnisme et son époque, Dictionnaire international illustré vol. 2 • Paris • 1979 • p. 255 (entry for Signac), vol. 3, Paris 1980, p. 202.
1979Richard Shone The Post-Impressionists London • 1979 • fig. 42.
1980Janine Bailly-Herzberg Correspondances de Camille Pissarro vol. 1 1865–85 Paris • 1980 • p. 45.
1983Claire Frèches-Thory «Musée d’Orsay, Paul Signac, Acquisitions récentes» in La Revue du Louvre et des musées de France (33/1) • 1983 • pp. 38, 41, 46 (nn. 44, 62).
1986Guy Cogeval Les années post- impressionnistes Paris • 1986 • p. 44.
1986Martha Ward «The Rhetoric of Independence and Innovation» in The New Painting, Impressionism 1874–1886 (exh. cat.) • National Gallery of Art, Washington, D.C. (etc.) • 1986 • p. 425, fig. 2, & p. 446, no. 184.
1986Diane Kelder The Great Book of Post-Impressionism New York • 1986 • (French edition: L’Heritage de l’Impressionnisme, Les sources du XXe siècle, Paris 1986, p. 90, fig. 82).
1987Herbert Wotte Paul Signac Dresden • 1987 • fig. 1.
1989Richard Thomson «The Grande-Jatte, Notes on Drawing and Meaning» in The Art Institute of Chicago Museum Studies (14) • 1989 • p. 191, fig. 20.
1991Michael F. Zimmermann Les mondes de Seurat Antwerp & Paris • 1991 • p. 200, fig. 366.
1991Georges Seurat 1859–1891 (exh. cat.) • Metropolitan Museum of Art, New York etc. • 1991–92 • p. 174 (ill.; French edition: Seurat, [exh. cat.] Grand Palais, Paris 1991, p. 211, fig. 40).
1992Signac & Saint-Tropez (exh. cat.) • Musée de l’Annonciade, Saint-Tropez etc. • 1992 • pp. 18 (ill.), 48.
1994Emil Maurer Stiftung Sammlung E.G. Bührle, Zürich Bern • 1994 • pp. 47–48 (ill.; English edition: Foundation E.G. Bührle Collection, Zurich, Bern 1995).
1996Michael Fried Manet’s Modernism, or the Face of Painting Chicago & London • 1996 • p. 172.
1996Martha Ward Pissarro, Neo-Impressionism and the Spaces of the Avant Garde Chicago & London • 1996 • pp. 61, 66–70.
1997Paul Smith Seurat and the Avant-Garde New Haven & London • 1997 • p. 91, fig. 109.
1999Richard Brettell Modern Art, 1851–1929, Capitalism and Representation Oxford • 1999 • p. 25, fig. 17.
2000Françoise Cachin Signac, Catalogue raisonné de l’œuvre peint Paris • 2000 • no. 111 (ill.).
2001John Leighton «Out of Seurat’s shadow: Signac, 1863–1935, An introduction» in Signac 1863–1935 (exh. cat.) • Metropolitan Museum of Art, New York 2001 etc. • pp. 7–8, fig. 4 (French edition: Paul Signac, [exh. cat.] Grand Palais, Paris 2001).
2001Robert L. Herbert Seurat, Drawings and Paintings New Haven & London • 2001 • p. 88, fig. 68.
2003Anne Dymond «A Politicized Pastoral, Signac and the Cultural Geography of Mediterranean France» in Art Bulletin (85) • 2003 • pp. 358, 362, fig. 5.
2004Lukas Gloor • Marco Goldin (ed.) Foundation E.G. Bührle Collection, Zurich, Catalogue vol. 3 • Conegliano & Zurich • 2004 • no. 148 (ill.; German edition: Stiftung Sammlung E.G. Bührle, Katalog • Italian edition: Fondazione Collezione E.G. Bührle, Catalogo).
2005Isabelle Cahn L’impressionnisme ou l’œil naturel Paris • 2005 • p. 205 (ill.).
2006Robyn Roslak «Artisans, Consumers and Corporeality in Signac’s Parisian Interiors» in Art History (29) • 2006 • pp. 861–873, fig. 4.1.
2007Ruth E. Iskin Modern Women and Parisian Consumer Culture in Impressionist Painting Cambridge etc. • 2007 • p. 77, fig. 31.
2007Felix Krämer Das unheimliche Heim, Zur Interieurmalerei um 1900 Cologne etc. • 2007 • p. 37, fig. 12.
2007Anne Dymond «A Politicized Pastoral, Signac and the Cultural Geography of France» in Modern Art and the Idea of the Mediterranean Vojtěch Jirat-Wasiutiński (ed.), • Toronto etc. • 2007 • pp. 117–145, fig. 5.5.
2011Richard R. Brettell Pissarro’s People (exh. cat.) • Sterling and Francine Clark Art Institute, Williamstown (Massachusetts) etc., • Munich etc. • 2011 • p. 202, fig. 156.
2012Marina Ferretti Bocquillon «Seurat, Signac and Neo-Impressionism» in Radiance, The Neo-Impressionists (exh. cat.) • National Gallery of Victoria, Melbourne (Victoria) • 2012–13 • p. 10 (ill.).
2014Øystein Sjåstad A Theory of the Tache in Nineteenth-Century Painting Farnham (Surrey) • 2014 • p. 108, fig. 6-2.
2014Neo-Impressionism, From Light to Color (exh. cat.) • Abeno Harukas Art Museum, Osaka etc. • 2014 • p. 11, fig. 3 (in Japanese).
2016Marina Ferretti Bocquillon «Paul Signac, une vie au fil de l’eau» in Signac, Une vie au fil de l’eau (exh. cat.) • Fondation de l’Hermitage, Lausanne • 2016 etc. • p. 13, fig. 2.
2016Heinz Widauer «Der ‹Pointillismus›, Rezeption und Folgen» in Seurat, Signac, van Gogh, Wege des Pointillismus (exh. cat.) • Albertina, Vienna • 2016–17 • p. 16, fig. 2.
2017Simon Kelly • Esther Bell Degas, Impressionism, and the Paris Millinery Trade Munich etc. • 2017 • p. 25, fig. 7.